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Remarques |
Rudolf Brauchli was asked by an acquaintance 20 years ago if he wanted to have a look inside the St. Anna chapel bell tower |
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Nom |
BRAUCHLI, RUDOLF |
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Auteurs de la documentation |
UNTERFINGER, Ester |
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Date |
25-12-2016 |
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Foto ampliada | Foto original |
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Remarques |
A curious person by nature, he said yes straightaway. This is how he became a volunteer bellringer |
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Nom |
BRAUCHLI, RUDOLF |
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Auteurs de la documentation |
UNTERFINGER, Ester |
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Date |
25-12-2016 |
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Foto ampliada | Foto original |
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Remarques |
Instead you use motifs, or tone combinations. The picture shows some of those that are played in the St. Anna bell tower. |
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Nom |
BRAUCHLI, RUDOLF |
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Auteurs de la documentation |
UNTERFINGER, Ester |
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Date |
25-12-2016 |
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Foto ampliada | Foto original |
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Remarques |
The bell ropes have numbers, which allows the bellringers to copy motifs from Westminster Abbey in London or the Fraumünster Church in Zurich. |
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Nom |
BRAUCHLI, RUDOLF |
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Auteurs de la documentation |
UNTERFINGER, Ester |
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Date |
25-12-2016 |
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Foto ampliada | Foto original |
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Remarques |
Ear protection is not really necessary as the decibels don't get any higher than at a rock concert. |
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Nom |
BRAUCHLI, RUDOLF |
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Auteurs de la documentation |
UNTERFINGER, Ester |
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Date |
25-12-2016 |
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Foto ampliada | Foto original |
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Remarques |
"I know many of the sequences of motifs by heart, but I enjoy improvising most of all", explains Brauchli. |
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Nom |
BRAUCHLI, RUDOLF |
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Auteurs de la documentation |
UNTERFINGER, Ester |
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Date |
25-12-2016 |
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Foto ampliada | Foto original |
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